POLECAMY
Koszyk
Shakespeare in Europe. History and Memory
Redakcja:
Format:
ibuk
The essays collected in the present volume are the result of a long term project. An international group of scholars addressed questions connected with the relation of the changing concepts of history and the status of history in Shakespearean plays in reading and in actual representation on the stage. Especially interesting aspects of the research deal with the transposition of the time and place of Shakespeare’s plays to the time and place of their reception within the context of historical awareness; equally fascinating are the studies which up the perspectives of the medieval and Renaissance contexts. Memory and how in operates (or how we operate it) turns out to be an indispensable complement to the research on the literary and dramatic representation of history. The variety of problems and aspects tackled here opens up interesting insights into the diversity of experience of and reflection on history and representation of history in Shakespeare’s plays.
| Rok wydania | 2008 |
|---|---|
| Liczba stron | 342 |
| Kategoria | Literaturoznawstwo |
| Wydawca | Wydawnictwo Uniwersytetu Jagiellońskiego |
| ISBN-13 | 978-83-233-2466-9 |
| Numer wydania | 1 |
| Język publikacji | polski |
| Informacja o sprzedawcy | ePWN sp. z o.o. |
Ciekawe propozycje
Spis treści
| Preface | 7 |
| Ton Hoenselaars: Towards a European History of Henry V | 9 |
| History and Histories | 35 |
| Teresa Bałuk-Ulewiczowa: The Bad Quarto Hamlet and the Polish Connection... | 35 |
| Rui Carvalho Homem: Cross-Histories, Straying Narratives: Anglo-Portuguese Imbrications and Shakespeare’s History Plays | 45 |
| Paola Pugliatti: The Art of War in Shakespeare and in European Renaissance Treatises | 57 |
| Janet Clare: The “Histories” of Henry VI | 79 |
| Manfred Draudt: Shakespeare’s Imperfect Memory of History | 89 |
| Andreas Höfele: “Retail’d to all posterity:” The Case of Richard III | 99 |
| James R. Siemon: Halting Modernity: Richard III’s Preposterous Body and History | 113 |
| History and Memory: Criticism and Reception | 129 |
| Paul Franssen: “Strictly ideal:” Shakespeare’s Personality as a Historical Construct in Nathan Drake’s Noontide Leisure | 129 |
| Clara Calvo: Shylock and the Shrew: Victorian Shakespeare and Nineteenth-Century Spain | 139 |
| Anna Kowalcze-Pawlik: “Memory of the Text.” Wyspiański’s Hamlet | 149 |
| Bettina Boecker: “Happily they had no choice:” Shakespeare’s Elizabethan Audience and the Ideal of a Unified Cultural Sphere, c. 1920–1950 | 163 |
| History, Memory, and Ideological Appropriation | 177 |
| Márta Minier: Claiming Shakespeare as “Our Own” | 177 |
| Ivan Lupić: “Must I remember?:” Hamlet, Memory and Shakespearean Trauma | 187 |
| Dana Chetrinescu Percec: Interdisciplinary Shakespeare in the Socialist Republic of Romania. A Comment on Official Censorship and Subversive Practices | 205 |
| Madalina Nicolaescu: Mingling and Separating in Coriolanus | 215 |
| Maria del Sapio Garbero: “A goodly house:” Memory and Hosting in Coriolanus | 225 |
| Anna Cetera: “Suit the word to the action:” Shakespeare’s Richard II (2004). A Case of (Meta)translation? | 239 |
| Ruth Freifrau von Ledebur: “Speak, Memory:” Anniversary Celebrations in the History of the German Shakespeare Society | 253 |
| Theatre: the Act of Memory and History in the Making | 265 |
| Michael Hattaway: Shakespeare Remembered by His Stuart Successors: Reflections on the 2005 “Gunpowder Season” at the Swan Theatre in Stratford | 265 |
| Boika Sokolova: “Who’s there?” – Macbeth on the London Stage 2004–2005 | 277 |
| Nicoleta Cinpoes: Stillness in Hamlet | 291 |
| Małgorzata Grzegorzewska: “Blood sprinkled or blood spilt:” The History of Richard II Revisited in the Contemporary Theatre | 303 |
| Jerzy Limon: The Memory of Architecture: New Thoughts on Reconstructing Old Theatres (the Case of the Gdańsk Fencing School) | 313 |
| Index of Authors | 333 |
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